Kristine M. Reyes is a Filipina American playwright raised and based in New York City. Her newest one-act play, Lola Luning’s First Steps, was commissioned by Women of Color Productions and produced during their Human Rights Theatre Project in June 2012 in New York City. Her previous one-act plays Quarter Century Baby and Something Blue were produced as part of Diverse City Theater Company’s (DCT) Pearl Project: A Filipino-American Theater Festival at Theatre Row in NYC, July 2010. In 2011, her 10-Minute play Ready, Aim…Fire! was first selected and produced by Primary Stages Einhorn School of Performing Arts’ (ESPA) Detention Series, and then again in The Asian American Women Playwrights Short Play Festival, co-presented by Actors’ Equity Association and Leviathan Lab. She is a Playwright Associate at DCT where she was a First Draft Fellow in 2005 for her full-length play Queen for a Day. Kristine is a Co-Director and Founding Member of the Leviathan Lab Asian American Women Writers Workshop, a 2012 Mary Louise Rockwell Scholar at ESPA at Primary Stages and a member of The Dramatists Guild.
Hyphenated Artist/Jill of all Trades
Golden Phoenix Productions, Inc.
a 501(c)(3) organization
Jade has dedicated four decades of service to the pursuit of social and human justice through the arts. She has worked on Presidential political campaigns and was a Mayoral appointee as Artistic Producer of a 1400-seat vintage RKO theater where she booked talents such as Chris Rock, George Carlin, Four Tops, Faith Hill, and Martina McBride.
Jade is a screenwriter/executive producer and has worked for ABC Daytime Drama Series “General Hospital” and “One Life to Live” as well as scripted/directed documentary films which have screened at the IFP Market, Asian American Int’l Film Festival, Sundance Producers’ Conference, and the Anthology Film Archives in New York City. She was a Disney/ABC Writing Fellow, Jerome Foundation Fellow, Film/Video Arts Fellow, BlueCat Screenplay Semi-finalist, and a PEN USA Rosenthal Emerging Voices Writing Fellowship Semi-finalist. Jade’s stage plays have had public readings at the Nuyorican Poets Café, Urban Stages, Santa Clara Experimental Theatre Festival and La Jolla Studio Stage.
She served as a New York State Council on the Arts Individual Artist Grant Panelist for three years and as an International Emmy Awards Juror in Drama Series and Documentaries for five years.
Prior to the film industry, Jade was Principal, Creative Director and Head Copywriter of her own 22-person advertising firm whose clientele included HBO Global, ARTNews, Ford Foundation, Chase Manhattan Bank, Bank of America, Security Pacific, and Merck Pharmaceuticals.
In the corporate arena, while as Vice President of Marketing and Communications, she was responsible for creating an in-house agency umbrella-ing Waverly, Inc.’s four domestic and international advertising and marketing divisions into what is now known as Lippincott/Waverly, a global leader in medical publishing.
In the acting arena, Jade has had recurring roles in television on NBC’s “Homicide: Life on the Streets,” Warner Bros. TV’s “The Adversaries,” and ABC’s “One Life to Live.” On stage, she has worked directly along side Meryl Streep and Kevin Kline in New York’s Central Park production of “Mother Courage and Her Children” written by Oscar and Tony Awardee Tony Kushner and directed by Tony award-winner George C. Wolfe. Her stage credits include working with other iconic directors: Alan Schneider, Blanka Zizka, Liv Ciulei, JoAnne Akalaitis, Gerald Gutierrez, Wendy Goldberg, Dan Wackerman, and Frances Hill, as well as award-winning writers Lucy Thurber, Chung-mi Kim, Rehana Mirza, Ruth Wolff and Lanford Wilson. She has performed roles at the Shakespeare Theatre, The Public Theatre, New York Shakespeare Theatre, Arena Stage, The Wilma Theater, Minetta Lane Theatre, Urban Stages and toured at the Edinburgh Festival in Scotland and Adelaide Festival in Australia. In film, she is most noted for her lead role in Michael Kang’s Sundance pedigree film, “The Motel,” along with roles in numerous major studio films directed by Tony Scott, Browen Hughes, Andrew Fleming and Spike Lee.
As an educator, Jade’s teaching background includes the Fashion Institute of Technology, University of California/San Diego, New York Film Academy, Raul Julia Institute for the Performing Arts, and private coaching. She has been a return Lecturer at Bard College on Drama in Social and Human Justice and the philosophies of Michel Foucault’s Fearless Speech in relation to dramatic text and dialogue.
She holds a BA in Drama and Literature, BS in Biochemistry and matriculated in the MFA Theatre Program at the University of California, San Diego.
Kari Bentley-Quinn is a playwright based in New York City, originally from the little coast town of Stratford, CT. Her plays have been presented at or developed with Lark Play Development Center, The Brick Theater, The Secret Theatre, Artemisia Theater, The One Minute Play Festival, Lesser America, Caps Lock Theater, Effable Arts, Packawallop Productions, The Access Theater, FringeNYC, the Play Development Collective, and more.
Kari’s full length plays include The Permanent Night (2008 FringeNYC award winner), Paper Cranes (Packawallop Productions),The Unlikely Ascent of Sybil Stevens (The Secret Theatre New Voices Project), The Ocean Thought Nothing (2014 O’Neill Conference Finalist), Prepared(PlayPenn semi finalist) and The Worst Mother in the World.
Kari has been a finalist for the O’Neill Playwrights Conference, the Bay Area Playwrights Festival, The Playwrights Realm, and the Public Theater Emerging Writers Group, as well as being a nominee for the Doric Wilson Playwriting Award. Kari has an MFA in Playwriting from Hunter College, where she studied with Tina Howe, Arthur Kopit, and Mark Bly. At Hunter, she was the 2015 recipient of the Rita and Burton Goldberg Playwriting Award. She is a member of the Dramatists Guild.
Don Nguyen was born in Saigon, Vietnam, grew up in Lincoln, Nebraska, and currently resides in Astoria, Queens. Don studied theatre at the University of Nebraska-Lincoln, and he served as the Artistic Director of the Shelterbelt Theatre in Omaha from 1999-2003.
Full length plays include: RED FLAMBOYANT (World Premiere – Firebone Theatre Company 2015, 2015 GAP Prize Winner, Ojai Playwrights Conference, finalist – O’Neill NPC), SOUND (Azeotrope/ACT, BAPF, Playwrights Realm Fellowship, finalist – Princess Grace Award), THE COMMENCEMENT OF WILLIAM TAN (Yale Cabaret, NYSAF), THE MAN FROM SAIGON (NYSAF, Naked Angels), THE SUPREME LEADER and HELLO, FROM THE CHILDREN OF PLANET EARTH. Don’s work has been developed or produced at The Public Theater, The Flea, Ojai Playwrights Conference, New York Stage & Film, Naked Angels, Naked Radio, The Civilians, Ma-Yi Theatre, The Playwrights Realm, The Bay Area Playwrights Festival, Joe’s Pub, The 52nd Street Project, SPACE on Ryder Farm, and Tofte Lake. Don is the recipient of the 2015 GAP Prize from the Aurora Theatre and New York Stage & Film Founder’s award and has been a finalist for The O’Neill National Playwrights Conference, The Princess Grace Award, Woodward International Playwriting Prize, and New Dramatists. Nominations include: the Laurents/Hatcher award and the L. Arnold Weissberger Award. Don is a proud member of the Ma-Yi Writers Lab, the Public Theater’s inaugural Emerging Writers Group, The Civilians inaugural R&D Group, the 52nd Street Project, and a co-founder of Mission to (dit)Mars, a Queens based theatre arts collective. For more information, please visit: thenuge.com
His one-act play The Harlequin Maneuvre was a finalist in the Riant Theatre’s Strawberry One-Act Festival (2004) and was published in The Best of The Strawberry One-Act Festival, Volume 1. It has subsequently been produced in New York, Nebraska, and Canada.
Other one act plays include Fat Ugly Vampire (Nuyorican Poets Cafe, NY), The Imaginary Association of Flight Attendants (Nuyorican Poets Cafe, NY),Love 160 (The Pack Lounge Series 3, Robert Moss Theater, NY),The Dragon Lord and the Fairy Queen (commissioned by The Lincoln Community Playhouse), A Decision of Extraordinary Magnitude, and a collection of eight Halloween plays: Bloodsucker, The Woman in the Blue Dress, Iron Chef: Battle of the Global Cuisine, Cooking with Julia, Soulmates, Torture, Survivor Down Under, and The Deadly Seduction, which were all produced by The Shelterbelt Theatre.
Other short plays and monologues include The Rocket Boys (52nd Street Project), Sexual Chocolate (The Secret Theatre, Long Island City), Girl Reflected and Look, A Lion (Emerging Writers Retreat, Public Theater).
Other writing credits include The Living Newspaper Workshop where he wrote several one acts and a webisode. In July 2011, The Living Newspaper was invited by Liz Engelman and the Jerome Foundation to spend a weeklong residency at Tofte Lake Center in Minnesota to develop a play about overpopulation.